AmericanTown’s Heroes: Loving People Because People Matter

Jenna believes that one should always be volunteering. In her own words: “Not only does it make the world a better place, but it makes you a better human being … We just need to figure out what our talents are and where are the opportunities to apply those talents.”

She is helping Night Strike raise money for a mobile clinic to help with outreach efforts. Night Strike is the name given to a gathering of volunteers brought together to serve the homeless community under a bridge in downtown Portland. 

Read more Loving People Because People Matter…



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May 18,2013: Family Campout and Fishing Derby 2013

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Rooftops Newsletter: Meet the New Rooftops

All of us at NFESH are proud to announce that we recently launched our new website.  What does this mean for you?  It means that all of the articles that have and will appear inRooftops and more will be posted on nfesh.org.  Just check out the Rooftops section and see all the articles by our Featured Columnists and read the latest trends in hunger, aging, health, nutrition and beyond. 
Visit NFESH.org


Amy Stansbury, Editor and Founder
The Green Source News

We drive the same way to work each day and see nothing but blue skies and trees, when just down the road the ocean is filling with trash and our neighbors are standing in bread lines…
read more


Dana Serrata, Executive Director
Helping Hands of Vegas Valley

A desert climate, golf, tennis, social activities – these are all things that attract retirees to the Las Vegas Valley, for their retirement and the active retirement lifestyle offered…

read more



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May 18,2013: Dave Widow & The Line-Up

Since 1987, Los Angeles-based band Cubensis has carried the torch in celebration of one of America’s most beloved touring bands, the Grateful Dead. Cubensis sets out to re-create the Grateful Dead experience by emulating the sounds of Jerry Garcia, Bob Weir, Phil Lesh, and the rest of the legendary San Francisco jam band. Cubensis plays completely spontaneous shows covering all eras of the Grateful Dead, and no night is ever the same. Cubensis is far more than just your standard cover band as they bring the magic and sounds to those longing for the live vibe that only the Grateful Dead was able to deliver. The group has been acclaimed for giving new life to the Grateful Dead’s material, bringing in new styles, new innovations, and new jam band fans, while at the same time remaining loyal to the original music and the original fans.

CUBENSIS brings the Grateful Dead concert experience back to life. Drawing from all eras of the Dead, the band performs a three-hour set of Grateful Dead and JGB classics that retains all the spontaneous exploratory jamming for which the bands were renown. However, the music produced is uniquely Cubensis.

Here, you won’t find the band wearing wigs and fake beards to re-create the Dead experience, unlike Beatlemania. “We don’t strive to play Dead tunes note-for-note,” explains Cubensis guitarist Craig Marshall. “We use the music as a skeleton, and then we flesh it out with our own improvisations. The Dead did that every time they played, and we find it to be a perfect model for our shows. The fans agree. They love hearing Cubensis-flavored Dead.”

The group is drawing national attention with their true-to-life performances. LA Weekly recently raved, “Cubensis plays with the same laid-back mastery as the real McCoy.” The LA Times declared “As the tribute to one of the ultimate jam bands, their set lists are as free and frollicky as the crowd.” Big Brother skateboard magazine says Cubensis is “the nation’s premiere Dead tribute” and the OC Weekly declared them “the hottest Grateful Dead tribute act going.” OC Register affirmed Cubensis was “the best place to channel Jerry Garcia” and AOL Citybeat stated, “Cubensis is renown for whipping its faithful crowd into a swirling, psychedelic mass for three hours straight.”

Cubensis has been pleased to find their most enthusiastic supporters are those who never got a chance to see the Grateful Dead in person, and wonder what they missed. Seasoned “Deadheads” come out to relive the great shows gone by, and as a result, the band is in great demand, performing over 150 shows a year throughout the Southwest. Cubensis was given specific permission by Jerry Garcia to perform the Dead’s music. Garcia’s only request was “do a good job of it.” Ever since, CUBENSIS has promised authenticity and delivers pure Grateful Dead-inspired music like it was meant to be heard, keeping the Dead alive and re-creating the magic one show at a time. Don’t miss it!



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May 17,2013: Hermosa Beach Farmers Market

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May 15,2013: Bad Apples

Hailing from New Haven, Connecticut and currently residing in New Brunswick, New Jersey, Bad Apples is a rock trio consisting of James Albis (Fender Rhodes, keyboards), BJ Felsted (bass), and Dave Witter (drums). Drawing on such influences as Steely Dan, David Bowie, and Talking Heads, Bad Apples continue to impress every new ear that hears them with their catchy melodies, lively harmonies, and tight grooves.

Fresh off the September 2007 release of their debut album, Home, the band has been touring steadily throughout the northeast, while sharing the stage with national acts such as The Breakfast and funk legends Tower of Power. Home showcases Bad Apples’ versatility – from their acute pop sensibility in “Danny Movefastly” to their jazz chops in “Jackpot” to their ability to rock in “What Makes You Go” and “Days” – while paying homage to the place where they grew up and the people that were closest to them.

Further testament to their artistic range is a guest appearance by rapper Black Child of The Inc. Records (formerly known as Murder, Inc.) in “Moses Poses: Private Eye.”
Project413.net dubs Bad Apples a “perfect example of another overlooked band,” but they have been far from overlooked during their four months of touring, wowing crowds with their distinct sound and rocking tunes. Playing at the St. Peters Village Oktoberfest, East Haven Fall Festival, and venues such as the world renowned Toad’s Place, Bad Apples have developed a following in Connecticut, Massachusetts, New Jersey, and Pennsylvania. You can also hear them featured on the websites woozyfly.com and jamnow.com, or on the radio on New Haven’s WPLR and William Patterson’s WPSC.

Bad Apples show no signs of slowing down in 2008, continuing to tour and always writing
new music.

Keep up with the band at www.thebadapplesarebitter.com for tour dates, news, and other info.

Dave Witter-Drums vocals
James Albis-Fender Rhodes, Moog Synthesizer, Alto tenor sax, vocals
Robert Felsted-Bass, guitar, vocals



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May 14,2013: Private Swim Lessons – Weekdays – Private Swim Lessons

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May 13,2013: Jr. Lifeguard Prep Class

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AmericanTown’s Heroes: Julie Shore Swoops in to Make a Difference

We celebrate moms this weekend and honor the strong and gentle women in our lives who have cared, cajoled and inspired us along our journey.

One such strong woman is Julie Shore, a member of the SWOOP organization. SWOOP stands for Strong Women Organizing Outrageous Projects. It is a non-profit group of volunteers who come together to work on projects that typically last one day but make a lasting difference in the lives of the people they serve. The motto of the organization is “great hearts working together to serve the community and inspire hope.”

Read more Julie Shore Swoops in to Make a Difference…



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May 12,2013: Abbey Road

The Dick Dale Phenomenon. His style is something different and unique. Since his first appearances Balboa, Ca. at the famed Rendezvous Ballroom, he has set and broken attendance records everywhere he’s performed. His appearances at the Rendezvous Ballroom broke every existing record for the Ballroom by drawing capacity crowds of over four thousand screaming dancing fans every weekend each night down on the Balboa peninsula.

Dick Dale invented surf music in the 1950′s. Not the ’60′s as is commonly believed. He was given the title “King of the Surf Guitar” by his fellow surfers with whom he surfed with from sun-up to sun-down. He met Leo Fender the guitar and amplifier Guru and Leo asked Dale to play his newly creation, the Fender Stratocaster Electric Guitar. The minute Dale picked up the guitar, Leo Fender broke into uncontrolled laughter and disbelief, he was watching Dale play a right handed guitar upside down and backwards, Dale was playing a right handed guitar left handed and changing the chords in his head then transposing the chords to his hands to create a sound never heard before.

Leo Fender gave the Fender Stratocaster along with a Fender Amp to Dale and told him to beat it to death and tell him what he thought of it. Dale took the guitar and started to beat it to death, and he blew up Leo Fender’s amp and blew out the speaker. Dale proceeded to blow up forty nine amps and speakers; they would actually catch on fire. Leo would say, ‘Dick, why do you have to play so loud?’ Dale would explain that he wanted to create the sound of Gene Krupa the famous jazz drummer that created the sounds of the native dancers in the jungles along with the roar of mother nature’s creature’s and the roar of the ocean.

Leo Fender kept giving Dale amps and Dale kept blowing them up! Till one night Leo and his right hand man Freddy T. went down to the Rendezvous Ballroom on the Balboa Peninsula in Balboa, California and stood in the middle of Four Thousand screaming dancing Dick Dale fans and said to Freddy, I now know what Dick Dale is trying to tell me. Back to the drawing board. A special 85 watt output transformer was made that peaked 100 watts when dale would pump up the volume of his amp, this transformer would create the sounds along with Dale’s style of playing, the kind of sounds that Dale dreamed of. BUT! they now needed a speaker that would handle the power and not burn up from the volume that would come from Dale’s guitar.

Leo, Freddy and Dale went to the James B. Lansing speaker company, and they explained that they wanted a fifteen inch speaker built to their specifications. That speaker would soon be known as the 15” JBL -D130 speaker. It made the complete package for Dale to play through and was named the Single Showman Amp. When Dale plugged his Fender Stratocaster guitar into the new Showman Amp and speaker cabinet, Dale became the first creature on earth to jump from the volume scale of a modest quiet guitar player on a scale of 4 to blasting up through the volume scale to TEN! That is when Dale became the “Father of Heavy Metal” as quoted from Guitar Player Magazine. Dale broke through the electronic barrier limitations of that era!

Dale still wanted to go further, and as the crowds increased, Dale’s volume increased, but he still wanted a bigger punch with thickness in the sound so that it would pulsate into the audience and leave them breathless. The JBL-D130 was doing its job until Dale froze it in the frame that held the speaker, the speaker cone would twist from the heavy playing from Dale and it would soon twist and stop to fluctuate back n forth.

Leo, Freddy and Dale went back to the JBL speaker company and told them to rubberize the front ridge of the speaker allowing it to push forward and backward from the signal of Dale’s guitar without cocking and twisting. The new updated version was called the JBL D-130F; the F stood for Fender.

Leo, Freddy and Dale designed a speaker cabinet and in which they installed 2 -15”-JBL-D130F’s. This caused Leo Fender to have to create a new and more powerful output transformer, they would call it the Dick Dale Transformer and it was made by the Triad Company.

This became the 100 watt output transformer that would actually peak 180 watts. Nothing like this had ever been done before in the world of guitars and amplifiers. This became known as the Dual-Showman Piggy Back Amp. This is why Dick Dale is called the Father of all the power Players in the world!

It is a Phenomena, that Dale is still playing with not only the same vengeance as he did in the 50′s, but his playing is unleashed and shredding into the 90′s with a focus and power as if from mother nature. He shares the stage with fellow players of all generations up into the alternative’s of the 90′s. Being completely self taught, Dick Dale plays left handed upside down which was a result of holding the guitar left-handed. The strings became upside-down, chords are designed for right handed players making it very difficult for a left handed player unless he were to change the strings for a left handed guitar, something that Dale never did.

Dale is also a master at the Acoustic, Electronic, Bass and Spanish Guitars’. As well as the Ukulele, Banjo, Drums, Piano, Organ, Electronic Keyboard, Harpsichord, Trumpet, Trombone, Saxophone, Harmonica, Xylophone and, believe it or not… the Accordion!

Dale was also responsible for another creation to the world of guitar players, “The Fender Tank Reverb”. As Dale sang in his shows, he found that he did not have a vibrato in his voice, and he did not like the straight flat dry sound. to sustain his vocal notes, he turned to an old Hammond organ and found a reverb unit and showed it to Leo Fender and together they came up with the “Fender Tank Reverb”. Dale then plugged a Shure Dynamic Bird cage Microphone into it and as Dale sang, his voice took on a very rich, sexy and full sound. Later, Dale then plugged his Fender Stratocaster guitar into the Reverb Tank to sustain his guitar notes which became Dale’s trademark sound.) (NOTE) Dale had already been titled “King of the Surf Guitar” by his surfer friends before his creation of the Fender Reverb, Dale’s first album called “Surfer’s Choice” was the first Surfing album to be commercially sold with a picture of Dale surfing by the pier in San Clemente, Ca. with a surfing title on it. This album alone sold over eighty-eight thousand albums in the late 50′s and today in the 90′s it would be like 4 million. There was not one song on that album that had a Reverb for effects, everything was played with nothing but Dale’s sheer force and power. A bit of trivia, Dale’s recording of “Miserlou” became the title song for Quentin Tarantino’s Blockbuster movie “Pulp Fiction”.

Dick Dale has been called one of the hardest working men in show business. In the past five years he has maintained a heavy concert tour and public appearance schedule throughout the world. Focusing in Europe, Australia, Japan, Canada, South America and the U.S.

He makes time to endorse some of his favorite products, including Dean Markley strings, Dale’s string sizes are 16p, 18p, 20p. 38w, 48w, 58w…they use to be 39w, 49w, 60w…..he says he’s getting lazy now. Pearl Drums, Zildjian Cymbals, Graphtech String Saddles, Billabong clothing and Australia’s Ugg Boot Company. Perhaps his most prominent endorsement would have to be for Fender Musical Instruments. Because of the popularity of Dale’s signature playing, Fender added to their inventory of guitars, the making of the Dick Dale Signature Stratocaster which seems to be a favorite amongst the Dick Dale guitar players. John English, Fender’s custom guitar maker set out to the task of building Dale’s Signature Stratocaster guitar with Dale being the overseer. To be included with his favorites was the honor distinction to be the first musician ever to be endorsed by Telex Corp. Using the Telex FMR450 Digital Wireless which has made it possible for Dale to play his guitar walking into the audience.

Along with his Dual Showman Fender Amps, Dale is particular in what tubes that he uses to help create his sound, he has chosen Ruby Tubes from a company called Magic Parts located in Point Reyes Station, California (800) 451-1992

Dale has also recorded original material for Disneyland’s Space Mountain roller coaster ride, and the soundtrack for the History of NASA video shown in Space Mountain. Dale’s music is being used in all the Disneyland’s throughout the world along with being featured in a Disneyland Music album which is being sold by Disneyland. May 21, 1998 a historical day for Disneyland, Dick Dale was chosen to be the person to highlight the grand opening of Tomorrowland by standing on top of Space Mountain (without the use of a safety harness) with his Gold Fender Stratocaster guitar (the beast) and play for all to hear throughout Disneyland “Ghost Riders” “Miserlou” – Dale’s music has gone down in the annals of Disneyland history.

Being a unique and versatile artist, Dick Dale is not limited to his musical skills. He has proved to be a respected Home designer and builder, personally designing and hand drawing the elevations and building his parents 7,000 square foot single story dream home in the California high desert so that he can be within easy reach to them. As of January 24, Dale’s parent’s celebrated their 62nd wedding anniversary, his dad is 86 and his mother is 81 years young. Dale is an accomplished Horseman, Exotic Animal Trainer, Surfer, Martial Arts Expert, Archer, and Pilot. His favorite plane is a Cessna 337B Super Skymaster, a twin tailed, front and rear engine aircraft which was also flown in the military and also sold to the general aviation pilots. Dale has a twin engine pilot rating.

Featured in various articles including the Los Angeles Times Calendar Section, Guitar World Magazine, Guitar and Guitar Player Mag and just recently the back cover of Fender Frontline Magazine with his 5 year old son Jimmy Stix holding their Fender Strats. And in 1981, Dick Dale was awarded Guitarist of the Year by Guitar Player Magazine.



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